{"title":"BŌSŌZOKU","description":"\u003cp\u003e\u003cspan\u003eSeventeen publications related to \u003cem\u003ebōsōzoku\u003c\/em\u003e, the ostentatious biker gangs which were the prevailing form of youth delinquency in Japan in the 1980s.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eThe selection here particularly focuses on the less common girl gangs, with the bulk of the items being issues of \u003cem\u003eTeens Road\u003c\/em\u003e — the only \u003cem\u003eyankii\u003c\/em\u003e magazine dedicated entirely to the culture, lifestyle, and spectacular aesthetic modifications of women \u003cem\u003ebōsōzoku\u003c\/em\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"kurata-seiji-yuji-moriya-ryosuke-kagiwada-yuichi-nagata-et-al-the-bosozoqu","title":"KURATA, Seiji, Yuji Moriya, Ryosuke Kagiwada, Yuichi Nagata, et al. The Bosozoqu.","description":"\u003cp\u003e\u003cspan\u003eKURATA, Seiji, Yuji Moriya, Ryosuke Kagiwada, Yuichi Nagata, et al.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Bosozoqu\u003c\/em\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: Daisan Shokan, 1980\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA5\u003c\/span\u003e\u003cspan\u003e判\u003c\/span\u003e\u003cspan\u003e \/ 8vo (210 x 150 mm). Profusely illustrated in black-and-white on every page. In photographic wraps with matching photographic dustjacket reproducing the wraps’ design; a bit rubbed at extremities, lacking the obi. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eA stunning work of book design and typography, in addition to its countless striking photographs.\u003c\/strong\u003e A magnificent Japanese photobook, featuring genuinely lavish design, \u003cem\u003eThe Bosozoqu \u003c\/em\u003ewas compiled by Seiji Kurata, who in the same year won the Ihei Kimura award for his previous work, \u003cem\u003eFlash Up\u003c\/em\u003e. Kurata began his career in photography career under Daido Moriyama and Araki Nobuyoshi, though his work has a decidedly more journalistic aesthetic than their expressionist investigations into the Tokyo underbelly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlong with photographic prints published here for the first time, this work also features numerous photographs previously printed in the rare, legendary bōsōzoku photobooks \u003cem\u003eBōsō Rettō ‘80\u003c\/em\u003e and \u003cem\u003eBore Up! Bōsō Retto ‘80 Part II\u003c\/em\u003e.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScarce.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStock #1110\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725012484180,"sku":"1110","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1110.jpg?v=1790265939"},{"product_id":"bosozoku-ティーンズロード-teens-road-september-1987","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], September 1987.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], September 1987.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 112 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps; rear wrap creased. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeptember 1987 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1101\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725018742868,"sku":"1101","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1101.jpg?v=1790267988"},{"product_id":"bosozoku-ティーンズロード-teens-road-april-1988","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], April 1988.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], April 1988.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 112 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps. Near fine.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApril 1988 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1103\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725018808404,"sku":"1103","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1103.jpg?v=1790267932"},{"product_id":"bosozoku-ティーンズロード-teens-road-november-1989","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], November 1989.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], November 1989.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 112 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps. Near fine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNovember 1989 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1102\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725024477268,"sku":"1102","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1102.jpg?v=1790267890"},{"product_id":"subculture-bosozoku-別冊宝島158-あぶない少女たち-bessatsu-takarajima-158-dangerous-women","title":"[SUBCULTURE, Bōsōzoku]. 別冊宝島158: あぶない少女たち [Bessatsu Takarajima 158: Dangerous Women].","description":"\u003cp\u003e\u003cspan\u003e[SUBCULTURE, Bōsōzoku]. \u003c\/span\u003e別冊宝島158: あぶない少女たち\u003cspan\u003e [\u003cem\u003eBessatsu Takarajima 158: Dangerous Women\u003c\/em\u003e].\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: Takarajimasha, 1990\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA5\u003c\/span\u003e\u003cspan\u003e判\u003c\/span\u003e\u003cspan\u003e \/ 8vo (210 x 148 mm). 211, [228] pp. 4 pp color photographic illustrations at front, black-and-white illustrations throughout. In photographically illustrated wraps. Very good.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 158th issue of \u003cem\u003eBessatsu Takarajima\u003c\/em\u003e, dedicated to ‘dangerous women.’ A spin-off ‘mook’ series from the subculture-focused magazine \u003cem\u003eTakarajima\u003c\/em\u003e, each issue is an intensive, deep-dive examination of a single subject. The present issue is dedicated to the \u003cem\u003esukeban\u003c\/em\u003e, or ‘delinquent girl,’ subculture — with a special emphasis on girl biker gangs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA notable magazine, it is perhaps best known outside Japan by anime fans, for influencing the creation of \u003cem\u003eNeon Genesis Evangelion\u003c\/em\u003e’s Rei Ayanami.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eA \u003cem\u003eBessatsu Takarajima\u003c\/em\u003e issue dedicated to mental illness informed how Hideaki Anno understood and wrote the character’s interiority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStock #1105\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725029556308,"sku":"1105","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1105.jpg?v=1790267838"},{"product_id":"bosozoku-ティーンズロード-teens-road-october-1992","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], October 1992.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], October 1992.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 150 pp. Profusely illustrated in color and black-and white, Folding double-page photographic illustration at front. Saddle-stapled, photographically illustrated wraps. Near fine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOctober 1992 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1095\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725030342740,"sku":"1095","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1095.jpg?v=1790267711"},{"product_id":"bosozoku-チャンプロード-champ-road-january-1992","title":"[BŌSŌZOKU]. チャンプロード  [Champ Road], January 1992.","description":"\u003cp\u003e[BŌSŌZOKU]. チャンプロード  [\u003cem\u003eChamp Road\u003c\/em\u003e], January 1992.\u003cbr\u003eT\u003cspan\u003eokyo: Kasakura Publishing, 1992\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 160 pp. Black-and-white and color illustrations; leaves a bit toned. Saddle-stapled in photographic wraps; a bit rubbed, closed tears at staples. Good.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJanuary 1992 issue of \u003cem\u003eChamp Road\u003c\/em\u003e, which went on to become the last periodical focused on \u003cem\u003ebōsōzoku\u003c\/em\u003e. First published in 1987, the magazine ran until 2016 and was known as a “bad boy bible.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA regularly issued, dependable glimpse into the world of these \u003cem\u003eyankii\u003c\/em\u003e bikers, \u003cem\u003eChamp Road\u003c\/em\u003e featured little editorial content of its own, in favor of primarily showcasing the self-reported experiences of \u003cem\u003ebōsōzoku\u003c\/em\u003e members themselves, who would submit to the magazine. As such, it offered a uniquely raw, unfiltered look at the outlaw-adjacent world of this subculture.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1104\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725040435284,"sku":"1104","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1104.jpg?v=1790267617"},{"product_id":"bosozoku-チャンプロード-champ-road-august-1992","title":"[BŌSŌZOKU]. チャンプロード [Champ Road], August 1992.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU]. \u003c\/span\u003e\u003cspan\u003eチャンプロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eChamp Road\u003c\/em\u003e], August 1992.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: Kasakura Publishing, 1992\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 140 pp. Black-and-white and color illustrations; leaves a bit toned. Saddle-stapled in photographic wraps; a bit rubbed. Very good.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAugust 1992 issue of \u003cem\u003eChamp Road, \u003c\/em\u003ewhich went on to become the last periodical focused on \u003cem\u003ebōsōzoku\u003c\/em\u003e. First published in 1987, the magazine ran until 2016 and was known as a “bad boy bible.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA regularly issued, dependable glimpse into the world of these \u003cem\u003eyankii\u003c\/em\u003e bikers, \u003cem\u003eChamp Road\u003c\/em\u003e featured little editorial content of its own, in favor of primarily showcasing the self-reported experiences of \u003cem\u003ebōsōzoku\u003c\/em\u003e members themselves, who would submit to the magazine. As such, it offered a uniquely raw, unfiltered look at the outlaw-adjacent world of this subculture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1106\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725042827348,"sku":"1106","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1106.jpg?v=1790267507"},{"product_id":"bosozoku-ティーンズロード-teens-road-november-1989-copy","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], June 1992.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], \u003c\/span\u003e\u003cspan\u003eJune 1992\u003c\/span\u003e\u003cspan\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 142 pp. Profusely illustrated in color and black-and white, folding double-page illustration at front. Saddle-stapled, photographically illustrated wraps; spine a bit rubbed and with minor nicks. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJune 1992 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1097\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725045874772,"sku":"1097","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1097.jpg?v=1790267424"},{"product_id":"bosozoku-女人禁制-nyonin-kinsei-womens-prohibition-ティーンズロード-teens-road-1992-special-issue","title":"[BŌSŌZOKU]. 女人禁制 [Nyonin Kinsei \/ Womens’ Prohibition]: ティーンズロード [Teens Road], 1992 Special Issue.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU]. \u003c\/span\u003e\u003cspan\u003e女人禁制\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eNyonin Kinsei \/ Womens’ Prohibition\u003c\/em\u003e]:\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e \u003c\/b\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], 1992 Special Issue.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan \/ Taiyou Books], 1992\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA4\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ imperial 8vo (297 x 210 mm). 178 pp. Full-page photographic illustrations on nearly every leaf, in color and black-and-white. In illustrated wraps, with the original photographically illustrated dustjacket; head of jacket spine panel bumped and with minor nicks, large crease to upper wrap and front dustjacket panel. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDubbed\u003cem\u003e Nyonin Kinsei\u003c\/em\u003e, this specially produced issue takes its title from the traditional term for the imposed boundary prohibiting women from religious and cultural sites. As \u003cem\u003eTeens Road\u003c\/em\u003e was dedicated to the girls’ bōsōzoku clubs, this stunningly designed photomook is dedicated to the guys. Comprising only photographs of these clubs, their bikes, and meet-ups, the issue foregoes the typical editorials.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e was dedicated to the fashion and lifestyle of \u003cem\u003ebōsōzoku\u003c\/em\u003e “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1100\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725049806932,"sku":"1100","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1100.jpg?v=1790267295"},{"product_id":"bosozoku-ティーンズロード-teens-road-july-1993","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], July 1993.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], July 1993\u003c\/span\u003e\u003cspan\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 150 pp. Profusely illustrated in color and black-and white, folding double-page photographic illustration at front, with printed calendar on the verso. Saddle-stapled, photographically illustrated wraps. Near fine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJuly 1993 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1094\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725053345876,"sku":"1094","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1094.jpg?v=1790267127"},{"product_id":"bosozoku-ティーンズロード-teens-road-july-1993-copy","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], February 1994.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], \u003c\/span\u003e\u003cspan\u003eFebruary 1994.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1994\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 50 pp. Profusely illustrated in color and black-and white. Saddle-stapled, photographically illustrated wraps; slight rubbing to extremities. Near fine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFebruary 1994 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1096\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725053640788,"sku":"1096","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1096.jpg?v=1790266797"},{"product_id":"bosozoku-ティーンズロード-teens-road-february-1994-copy","title":"[BŌSŌZOKU]. ティーンズロード  [Teens Road], December 1994.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU].\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eティーンズロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eTeens Road\u003c\/em\u003e], December 1994.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: [Million Shuppan], 1994\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 142 pp. Profusely illustrated in color and black-and white. Saddle-stapled, photographically illustrated wraps; rubbed, minor nicks to spine. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDecember 1994 issue of the ‘\u003cem\u003eyankii\u003c\/em\u003e’ magazine \u003cem\u003eTeens Road\u003c\/em\u003e, dedicated to the women members of \u003cem\u003ebōsōzoku\u003c\/em\u003e clubs. Unlike the other magazines of the period, \u003cem\u003eTeens Road\u003c\/em\u003e emphasized the fashion and lifestyle of these “runaway girls,” along with motorcycle \u0026amp; car tuning, custom autobody work, and the goings-on of various groups. It was the first of its kind to focus on these \u003cem\u003esukeban\u003c\/em\u003e (’girl delinquent’) clans and, at its peak, had a readership five times the recorded number of members of such clubs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eYankii\u003c\/em\u003e, a general term for a group of aesthetically linked ‘delinquent’ subcultures, was originally born out of the influence of post-war American rock and counterculture. With the rise of \u003cem\u003ebōsōzoku\u003c\/em\u003e style — defined by \u003cem\u003etokkō-fuku\u003c\/em\u003e jackets and their spectacular, outlandish custom modifications — out of the earlier \u003cem\u003ekaminari-zoku\u003c\/em\u003e gangs, this \u003cem\u003eyankii\u003c\/em\u003e world began to take on its own uniquely wild aesthetics. Though the \u003cem\u003ebōsōzoku\u003c\/em\u003e retained a specific look, it intersected with a number of other subcultures around the turn of the millennium, such as \u003cem\u003egyaru\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover of this issue highlights these subcultures’ flirtation with far-right imagery. While nationalistic symbols of imperial Japan were common in \u003cem\u003ebōsōzoku\u003c\/em\u003e uniforms, fascist aesthetics around the turn of the millennium were also employed in bizarrely decontextualized ways in various subcultures. It was not uncommon for visual kei bands, for example, to wear Nazi designs in music videos and on-stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1109\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725054623828,"sku":"1109","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1109.jpg?v=1790266488"},{"product_id":"subculture-bosozoku-burst-バースト-march-1999","title":"[SUBCULTURE, Bōsōzoku]. BURST  [バースト], March 1999.","description":"\u003cp\u003e\u003cspan\u003e[SUBCULTURE, Bōsōzoku]. BURST  [バースト], March 1999.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: \u003c\/span\u003e\u003cspan\u003eByakuya Shobo, 1999\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA4\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ imperial 8vo (297 x 210 mm). 138 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps. Near fine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMarch 1999 issue of the essential Japanese countercultural magazine of the late ‘90s and aughts, \u003cem\u003eBURST\u003c\/em\u003e. The periodical grew out of the biker magazine \u003cem\u003eCRUSH CITY RIDERS\u003c\/em\u003e, which only published one issue and dubbed itself “a biker’s magazine for the new type of motorcycle-riding delinquents.” The magazine quickly pivoted to general fringe, ‘delinquent’ society, evolving into a general countercultural publication.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith content covering a host of taboo subjects, \u003cem\u003eBURST\u003c\/em\u003e focused on outlaws, drugs, body modifications, pornography, fetish, and some issues even included photography of corpses. The magazine ran for a decade and was extremely influential — touching every corner of Japanese punk and counterculture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1098\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725056426068,"sku":"1098","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1098.jpg?v=1790266395"},{"product_id":"subculture-bosozoku-burst-バースト-february-2001","title":"[SUBCULTURE, Bōsōzoku]. BURST  [バースト], February 2001.","description":"\u003cp\u003e\u003cspan\u003e[SUBCULTURE, Bōsōzoku]. BURST  [バースト], February 2001.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: \u003c\/span\u003e\u003cspan\u003eByakuya Shobo, 2001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA4\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ imperial 8vo (297 x 210 mm). 138 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps. Near fine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFebruary 2001 issue of the essential Japanese countercultural magazine of the late ‘90s and aughts, \u003cem\u003eBURST\u003c\/em\u003e. The periodical grew out of the biker magazine \u003cem\u003eCRUSH CITY RIDERS\u003c\/em\u003e, which only published one issue and dubbed itself “a biker’s magazine for the new type of motorcycle-riding delinquents.” The magazine quickly pivoted to general fringe, ‘delinquent’ society, evolving into a general countercultural publication.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith content covering a host of taboo subjects, \u003cem\u003eBURST\u003c\/em\u003e focused on outlaws, drugs, body modifications, pornography, fetish, and some issues even included photography of corpses. The magazine ran for a decade and was extremely influential — touching every corner of Japanese punk and counterculture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1099\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725061374036,"sku":"1099","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1099.jpg?v=1790266376"},{"product_id":"bosozoku-チャンプロード-champ-road-march-2001","title":"[BŌSŌZOKU]. チャンプロード [Champ Road], March 2001.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU]. \u003c\/span\u003e\u003cspan\u003eチャンプロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eChamp Road\u003c\/em\u003e], March 2001.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: Kasakura Publishing, 2001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 240 pp. Profusely illustrated in color and black-and-white; text leaves toned at margins. Saddle-stapled in photographic wraps; a bit rubbed. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMarch 2001 issue of \u003cem\u003eChamp Road, \u003c\/em\u003ewhich went on to become the last periodical focused on \u003cem\u003ebōsōzoku\u003c\/em\u003e. First published in 1987, the magazine ran until 2016 and was known as a “bad boy bible.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA regularly issued, dependable glimpse into the world of these \u003cem\u003eyankii\u003c\/em\u003e bikers, \u003cem\u003eChamp Road\u003c\/em\u003e featured little editorial content of its own, in favor of primarily showcasing the self-reported experiences of \u003cem\u003ebōsōzoku\u003c\/em\u003e members themselves, who would submit to the magazine. As such, it offered a uniquely raw, unfiltered look at the outlaw-adjacent world of this subculture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1107\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725065207892,"sku":"1107","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1107.jpg?v=1790266248"},{"product_id":"bosozoku-チャンプロード-champ-road-march-2001-copy","title":"[BŌSŌZOKU]. チャンプロード [Champ Road], December 2011.","description":"\u003cp\u003e\u003cspan\u003e[BŌSŌZOKU]. \u003c\/span\u003e\u003cspan\u003eチャンプロード\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e[\u003cem\u003eChamp Road\u003c\/em\u003e], December 2011.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTokyo: Kasakura Publishing, 2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003cspan\u003e判 \u003c\/span\u003e\u003cspan\u003e\/ large 8vo (255 x 180 mm). 240 pp. Black-and-white and color illustrations. Saddle-stapled in photographic wraps. Very good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDecember 2011 issue of \u003cem\u003eChamp Road, \u003c\/em\u003ewhich went on to become the last periodical focused on \u003cem\u003ebōsōzoku\u003c\/em\u003e. First published in 1987, the magazine ran until 2016 and was known as a “bad boy bible.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA regularly issued, dependable glimpse into the world of these \u003cem\u003eyankii\u003c\/em\u003e bikers, \u003cem\u003eChamp Road\u003c\/em\u003e featured little editorial content of its own, in favor of primarily showcasing the self-reported experiences of \u003cem\u003ebōsōzoku\u003c\/em\u003e members themselves, who would submit to the magazine. As such, it offered a uniquely raw, unfiltered look at the outlaw-adjacent world of this subculture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStock #1108\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavenacid","offers":[{"title":"Default Title","offer_id":47725070385236,"sku":"1108","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/files\/1108.jpg?v=1790266117"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0675\/4811\/9124\/collections\/Cover.jpg?v=1790268273","url":"https:\/\/heavenacid.com\/collections\/bosozoku.oembed","provider":"Heavenacid","version":"1.0","type":"link"}